Robert Glasper stands as an exceptional figure in today’s jazz, with an innate ability to look beyond the established norms of Jazz, Gospel, Soul, and Hip Hop. His visionary approach enables him to discern potential where others see completion.
While many cross-over projects often fall short of maintaining artistic integrity, Glasper’s work is experimental, but exceptionally perfect.
Afro Blue ft. Erykah Badu (Black Radio, 2012)
“Afro Blue” from Glasper’s critically acclaimed masterpiece, Black Radio breathes new Neo-soul jazz life into this timeless jazz standard. Erykah Badu’s ethereal soulful vocals intertwine with Glasper’s intricate piano arrangements, creating an otherworldly fusion of jazz, hip-hop, and soul. The harmonious convergence of diverse elements elevates this track to celestial heights.
Gonna Be Alright ft. Ledisi (Black Radio, 2012)
With “Gonna Be Alright (F.T.B.)” from the album Black Radio, Glasper delivers a soulful and uplifting feel-good anthem over Ledisi’s voice encouraging you that no matter the challenges you face, everything will eventually be alright.
Glasper’s smooth yet intricate chord voicings and melodic lines pay homage to the rich tradition of jazz, which is a shining example of how jazz can evolve and thrive in today’s musical landscape.
Maiden Voyage/Everything in Its Right Place (In My Element, 2007)
From his trio album In My Element, Glasper fearlessly merges Herbie Hancock’s classic Maiden Voyage with Radiohead’s experimental gem Everything in Its Right Place, demonstrating Glasper’s unique ability to cross-pollinate genres.
His innovative approach to reharmonization, rhythmic interpretation, and textural layering creates an immersive soundscape that is both familiar and fresh. If you have an appreciation for classic jazz trios, chances are you’ll find enjoyment in this. And if you admire the virtuosity of jazz piano, this is definitely something that will resonate with you.
Calls ft. Jill Scott (Black Radio 2, 2013)
“Calls” from Robert Glasper’s album “Black Radio 2” featured by Jill Scott exemplifies his artistic vision and knack for creating contemporary Glasper compositions.
The song begins with Glasper’s delicate EP chords, setting a contemplative and introspective mood. As the track progresses, the rhythm section provides a solid foundation with its smooth groove, while Scott’s heartfelt delivery evokes a sense of vulnerability and authenticity infusing each lyric with emotion and depth.
Ah Yeah ft. Musiq Soulchild & Chrisette Michele (Black Radio, 2012)
The album Black Radio labels Glasper’s musical magnificence as a significant milestone in his career. “Ah Yeah”, another gem in the album, is a great collaboration between Robert Glasper and two neo-soul/jazz musicians (Musiq Soulchild & Chrisette Michele).
The mellow groove of the song is pleasing, with Musiq offering a familiar vibe and Chrisette Michele contributing her soulful vocals. This duo is layered over Robert Glasper’s signature melody, chord voicing, and production, creating a combination that you thoroughly enjoy.
Cherish the Day ft. Lalah Hathaway (Black Radio, 2012)
Lalah Hathaway brings her own interpretation to Sade’s classic hit, “Cherish the Day”. This cover song in Black Radio features an Derrick Hodge’s solid bassline, Chris Dave’s hi-hat chops & energetic drums, Robert Glasper’s expressive piano melodies & harmonic arrangement, and Hathaway’s commanding vocals that remain spiritual from start to finish. Benjamin’s remarkable saxophone solo fearlessly roars in the middle of the song with his unique yet stylish pedal sound effect.
The track concludes with a dreamlike fade-out lyrics “Cherish the day, I won’t stray from my path, I won’t let fear overcome me, you won’t see me running away…”
So Beautiful (Covered, 2015)
In 2015, the Robert Glasper Trio covered Musiq’s “So Beautiful”, as part of their album “Covered”.
Glasper pays respectful tribute to the original version, constructing thoughtful melodic lines with care, touching your emotion and heart.
The rhythm section featuring Vicente Archer on bass and Damion Reid on drums complements Glasper’s melody beautifully as a backbone that smoothly builds and propels the song forward while maintaining a tranquil atmosphere.
The trio speaks “So Beautiful” from their heart transcending being just another beautiful melody.
(header image credit: wikipedia - Black Radio)