whatthehekkist 
Joshua Redman has carved out a stellar career that continues to redefine the contours of contemporary music. Born into a family steeped in rhythm and melody, Redman’s destiny was as much about heritage as it was about talent. His music - an intoxicating blend of old-school jazz elements and modern influences - swings with soul, throbs with emotion, and sparkles with technical wizardry. Whether he’s pouring his heart into a slow-burning ballad or setting the stage ablaze with an up-tempo number, Redman tells stories that captivate listeners and make him one of the most influential musicians in today’s jazz world.
Jazz Crimes (Elastic, 2002)
“Jazz Crimes” is a thrilling roller-coaster ride through the world of contemporary jazz. Packed with rhythm, complexity, and a dash of rebellion, it’s addiction that grabs you from the first note and doesn’t let go.
Redman’s saxophone work is a tour-de-force - warm tones, flawless technique, and an emotional punch that hits you right in the heart. His compositions are daring - they twist and turn, challenging your expectations but always keeping you hooked with engaging melodies.
“Jazz Crimes” is not just jazz; it’s a fearless adventure that pushes musical boundaries and dares to be different. In other words, “Jazz Crimes” is Joshua Redman at his boldest and most exciting - a must-listen for any jazz fan who loves music with guts.
Wish (Wish, 1993)
The title track of the album “Wish” beautifully exhibits Redman’s emotive playing style. His saxophone with warm and inviting tone creates a heartfelt narrative over the rhythm sections; exceptionally talented musicians Billy Higgins on drums, Charlie Haden on bass, and Pat Metheny on guitar who elevate this live ensemble to new heights.
The harmonic structures of the composition are richly textured yet accessible, creating an immersive listening experience that rewards both casual listeners and jazz aficionados alike.
With its captivating performances, masterful compositions, and profound emotional depth, “Wish” solidifies Redman’s place as one of the most influential voices in contemporary jazz.
Hide and Seek (Freedom In The Groove, 1996)
Featured on the album “Freedom In The Groove”, “Hide and Seek” captures the playful interaction between band members with its swinging rhythms and melodic twists led by Redman’s saxophone from the moment the song begins.
- Peter Bernstein - Guitar
- Peter Martin – Piano
- Christopher Thomas – Bass
- Brian Blade – Drums
Within the catchy melody and addictive groove (funky rhythm, section, and syncopation) of the song, Joshua Redman and his fellows skillfully navigate a delicate balance between tension and release that makes “Hide & Seek”.
Don’t miss out the live Joshua Redman Quintet - Hide And Seek (1996) !
Chill (MoodSwing, 1994)
“Chill” from Redman’s album “MoodSwing” is a traditional mid-tempo standard swing tune. The song’s gentle melody, carried by Redman’s saxophone, invites you to a tranquil space of reflection.
Accompanied by Brad Mehldau’s piano, Christian McBride’s bass, and Brian Blade’s drums, the ensemble weaves a “Chill” tapestry of sound that soothes your soul. Mehldau adds peaceful harmonies, McBride keeps a steady heartbeat, and Blade’s riding on his drums punctuates sleek swing feel softly.
Through its simplicity and subtle nuances, “Chill” evokes deep emotions and offers a sanctuary where worries fade away. Let yourself be swept away by the allure of this classic standard tune as it transports you to moments of pure tranquility.
The Deserving Many (Wish, 1993)
“The Deserving Many” is a thought-provoking up-tempo composition that fascinates your ears with its innovative approach and dynamic twists & turns. The song adheres to A-A-B-A form like many other standard jazz tunes, with each section providing distinct improvisaional motifs; the engaging intro in A section, variations in the repeated A section, contrasting B section, and final energetic iteration of the section A.
The exceptional chemistry between Redman and his ensemble fellows showcase an intuitive understanding of one another, seamlessly complementing each other’s phrases and creating a cohesive interplay that is greater than the sum of its parts. This synergy allows for moments of collective improvisation where ideas are exchanged freely, resulting in thrilling musical dialogues.
Stagger Bear (Come What May, 2019)
“Stagger Bear” delivers one of the album’s most exhilarating moments.
- Tenor Saxophone: Joshua Redman
- Piano: Aaron Goldberg
- Bass: Reuben Rogers
- Drums: Gregory Hutchinson
It combines precise bass lines alongside the pianist’s agile left hand, dynamic drumming with hints of rock influence in triplet/shuffle, a soulful piano vibe, and saxophone-piano staccatos. Redman and Goldberg take turns in an expressive dialogue while soloing, showcasing their seamless improvisaional connection.
Stop This Train (Walking Shadows, 2013)
A cover of John Mayer’s song featured in Redman’s album “Walking Shadows” is one of the beloved tracks many of you keep in playlist. With each note he plays, Redman’s lyrical tenor lines capture the essence of Mayer’s introspection and heartfelt melody while adding themes of aging, mortality, the passage of time, and his own vulnerability.
(header image credit: wikipedia - Elastic (album))
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